Originally from Los Angeles, Emma studied literature at Sarah Lawrence College before relocating to London. She has an MA in Shakespeare Studies from Kings College London and Shakespeare’s Globe and recently trained on the MFA Advanced Theatre Practice at the Royal Central School of Speech and Drama and the Soho Theatre Writers' Lab 2018.
Since graduating, she has worked as a director, dramaturg, and research assistant among many disciplines, from opera to Restoration theatre to new writing. Recent directing credits include Cabildo by Amy Beach at Grimeborn at the Arcola Theatre; sorry did I wake you by Nina Georgieff with Beth Collins at Tristan Bates Theatre; and Ares by Katie Granger at the Vault Festival 2019, which received five star reviews. An accomplished dramaturg and researcher, Emma has been the research consultant onVenice Preserved at the Royal Shakespeare Company and Absolute Hell at the National Theatre, during which she was mentored by Joe Hill-Gibbins, with whom she also worked on his production of Le Nozze di Figaro (Wuppertal and English National Opera). Assisting credits include These Wandering Streets (Barbican and Sound Unbound) The Noble Nine (Vaults 2019); Libuse (UCOpera); and The Fantastic Bohemian (Arcola Theatre). She is a reader for Pint-Sized Productions and was longlisted for the JMK Award in 2020.
Emma is the co-founder of Global Origins, a platform and network for international and multicultural artists that she runs with Aneesha Srinivasan. Recently, Global Origins Theatre curated Are We There Yet ?, a two day festival of multidisciplinary art by international and multicultural artists, at the CLF Arts Cafe (Bussey Building) October 25th and 26th. Global Origins have recently launched HERE, a digital hub for international artists during these challenging times.