Essays & Articles

‘The Jews Are Tired: The Royal Court, Rare Earth Mettle, and Why Enough is Enough’
Exeunt (2021)

‘Chekhov: Radical Adaptation, Disruption, and Separation’
Backpages 32.1 for Contemporary Theatre Review (2022):

‘Hermann Levi’s “Misery and Joy at Bayreuth’
Programme essay for Longborough Festival Opera production of Wahnfried (2025)
*Coming soon

‘God forgives those who invent what they need’: Lillian Hellman, Watch on the Rhine, and Distorted Histories’ 
Donmar Warehouse programme essay for Watch on the Rhine (2021) 
*Coming soon

‘She-Tragedy Then and Now’ 
RSC programme essay for Venice Preserved (2019)
*Coming soon

‘Funny Girls, Money Men: The Complications of Jewishness on Broadway’
American Theatre (co-written with Gabrielle Hoyt)

‘He hath given his empire’: Coloniality and British Contemporary Shakespeare Performance Practice’ 
Backpages 32.3-4 in Contemporary Theatre Review (2022, co-written with Aneesha Srinivasan):